venue
date
time
available
Kinoteka, 2
2025-05-10
20:45
Iluzjon, Mała Czarna
2025-05-12
18:00
Iluzjon, Mała Czarna
2025-05-16
18:00
The Tunes
A café in the north of Brussels. Days are punctuated by the songs that the customers sing at all hours, to amuse themselves, to remember or to pass the time. Those songs transform the place little by little, making the film a strange musical.

A café in the north of Brussels. Days are punctuated by the songs that the customers sing at all hours, to amuse themselves, to remember or to pass the time. Those songs transform the place little by little, making the film a strange musical.

The Building and Burning of a Refugee Camp
A group of asylum seekers in Dublin pitch their tents on Sandwith Street, around the corner from the immigration office. This protest camp is a reaction to the decision of the Irish government to deny accommodation to 1400 asylum applicants.

A group of asylum seekers in Dublin pitch their tents on Sandwith Street, around the corner from the immigration office. This protest camp is a reaction to the decision of the Irish government to deny accommodation to 1400 asylum applicants. Camp residents Sami, Hasiballah and Simon show us around the little village they call home: this is where they eat, this is where they paint banners, and here are flowers planted in a pot. This peaceful scene is soon disrupted by the arrival of the Irish anti-immigration activist Philip Dwyer, who uses livestreams on social media to call for the tent dwellers to be chased away. A group of progressive activists come to the aid of the asylum seekers, but an outburst of violence looks inevitable. The violent incidents mount up, and finally things really explode.

On the Impossibility of an Homage
Ion Tugearu was a rockstar of Ballet in Communist Romania. He’s been dreaming that someday there’d be a film about him. But as things progress, he finds it hard to accept the director's approach…

Given a portrait, who is responsible for the image we see, the painter or the subject? Ion was a rockstar of Ballet in Communist Romania. When we discuss the possibility of a shooting, Ion is initially overjoyed. He’s been dreaming that someday there’d be a film about him. But as things progress, he finds it hard to accept my approach. He questions my ability to make the film happen.

The Oasis I Deserve
Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.

Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.

In My Day
A visual poem exploring the intergenerational experience of love. Through intimate, real-life phone calls between grandmothers and their granddaughters, we are invited into the heart of personal confessions.

“In My Day” is a visual poem exploring the intergenerational experience of love. Through intimate, real-life phone calls between grandmothers and their granddaughters, we are invited into the heart of personal confessions, where stories of heartbreak, enduring love, and loss unfold. The film paints a universal portrait of womanhood, shaped by love’s complexities across time. At its heart, “In My Day” is a reflection on the shared experiences that connect generations of women.

The Tunes
Les Rengaines
dir. Pablo Guarise, Belgium 2024, 25 min
The Building and Burning of a Refugee Camp
The Building and Burning of a Refugee Camp
dir. Dennis Harvey, Sweden, Ireland 2024, 20 min
On the Impossibility of an Homage
Despre imposibilitatea unui omagiu
dir. Xandra Popescu, Romania, Germany 2024, 19 min
The Oasis I Deserve
The Oasis I Deserve
dir. Inès Sieulle, France 2024, 22 min
In My Day
Za moich czasów
dir. Iga Lis, Poland 2024, 12 min
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