At the beginning of the 20th century, the Polish aristocrat August Zamoyski abandoned his family estate to pursue his dream of becoming an artist. His sculptures can still be found in public spaces in Poland, France, Brazil and many more. Archival recordings made by Zamoyski himself, who began photographing and filming his diaries as early as the late 1920s, are interwoven with a contemporary interpretation of his art. The comparison of these two realities, creates an alternative guide to art, the depiction of the female body, and the place of art in everyday life.